Archive for ‘Podcasts’ Category

Posted on: February 17th, 2025 by Julie Bestry | 8 Comments

Two weeks ago, in Take Note: Paper Doll’s Guide to Organized Note-Taking (Part 1), we looked at the wide variety of situations in which you might take notes, and took a side journey into the relative merits of handwritten vs. digital notes.

Last week, in Take Note: Paper Doll’s Guide to Organized Note-Taking in Lectures & Presentations (Part 2), we explored solutions for taking notes when someone is imparting information to you verbally: in class, watching a webinar, attending a conference, and in collaborative meetings. Some variation on these methods work for casual note-taking situations, like when you’re learning about a diagnosis or treatment, you’re hearing about a new program at a PTA meeting, or even when you’re fielding information on a phone call.)

Whether you want to capture information for a later test, to improve your professional (or passion project) success, or help your team hit its action items, taking notes ensures that information can be captured, processed, learned, and acted upon

Using my colleague Linda Samuels’ rubric, we looked at how to “listen, capture, and engage” with information using text-based note-taking (e.g., the sentence method, outlining, and the Cornell Note-Taking Method) and visual note-taking (e.g., mind mapping and sketchnoting).

We also harkened back to the idea that not all note-taking depends on information coming to you verbally. When you’re studying printed material as part of coursework, doing academic research (like a term paper on Alexander Hamilton) or writing a non-fiction book (like the history of sandwiches), you will need to take notes on what other people have written to achieve your goals.

You may also create notes from scratch, not based on someone else’s concepts (presented verbally or in writing), but invent something totally new with the help of the elves in your brain. You might write the score for a Broadway musical, engineer the schematics for a cool invention you aim to patent, or draft a novel about vampires from Jupiter or grandmother protesting injustice, or vampire grandmothers… 

With modifications, you can take notes using the methods we discussed last week, but there are also note-taking methods that help you create and organize notes on non-verbal content.

ANNOTATION

Picture yourself studying for an exam or preparing to give a speech to your colleagues. However much material you already know, there’s going to be a larger chunk of the unknown printed in books, journal articles, and online.

The advantage of taking notes on what you’re reading is that you can take it at whatever speed you need to make sense of the information and organize it, combined with your own thoughts, without having all the inbound knowledge outpace you. The main disadvantage is that, unlike when a speaker accents what’s important (with voice, body language, or saying, “Hey, you numbskulls, this is going to be on the tests!”), text may not give you a clue as to what is vital.

 

Sure, textbooks may have concepts in bold or italics, but novels will not; if you’re reading the Federalist Papers, there’s no formatting to clue you in on what Alexander Hamilton (yes, him again!) thought was key. And if you’re researching to support your creative endeavors, only you know what will hit the spot.

Key Benefits of Annotating

Annotating enhances comprehension by allowing you to actively engage with the text, identify key points (either what the writer thinks is key or what is key for your purposes), ask yourself questions (so you can find answers in the text or in other resources), and record your own thoughts.

Annotation can lead to a deeper understanding of the printed word, making it easier to recall information later and prepare for discussions, writing assignments, or drafts. Annotating your notes reaps the following benefits:

  • Improved comprehension — By highlighting important information and adding notes, you’re forced to actively process the text, leading to better understanding and retention.
  • Critical thinking — Annotating pushes you to question the author’s arguments, identify biases, and form your own interpretations. In fact, as described in the New York Times article, How Students and Teachers Benefit From Students Annotating Their Own Writing, annotating improves metacognition, or thinking about how you think about something.
  • Active engagement —The very act of writing notes as you read encourages focused attention and deeper engagement with the material. You’re less likely to let your eyes glaze over if you’re annotating the material.
  • Organization of ideas — Annotations can help you identify the main points, structure of the text, and see how different concepts relate to one another. Sometimes it happens as you are annotating; other times, the act of annotating creates the magic that helps you see how things are connected later. If you’ve ever seen the TV show The Good Doctor, this is the way we see Dr. Shaun Murphy arriving at life-saving connections.
  • Customization — You can add your own thoughts, reactions, and connections to the text, making the reading experience more meaningful. Whether you’re studying for a test or bringing concepts together to write a book, you can add your own metaphors or connections (and references to pop culture!) to make it resonate.
  • Preparation for writing — Annotations are first drafts. They’re the key to making someone else’s first line of research into a foundation for your own work, whether you’re writing essays for Medium, research papers for a class, or a work project where you need to analyze and synthesize information from varied sources.

Analog Methods of Annotating

Marginalia

If you’ve ever scribbled notes, comments, or questions in the margins of a book, you’ve been annotating. You’ve done the active reading and critical thinking referenced above, and created a personal dialogue with the author of which only you are aware. (That’s OK, some authors are cranky and don’t welcome questions.)

Marginalia are great for when you want a quick reference for future review of the material. Last week, I was in a book club Zoom for the National Association of Productivity and Organizing Professionals’ Authorship and Publishing Special Interest Group (no surprise, we call it the NAPO A&P SIG), discussing On Writing Well: The Classic Guide to Writing Non-Fiction by William Zinsser.

Our leader, my colleague Deborah Kawashima, had extensive marginalia, and used those notes to lead the discussion — and to find related material when members brought up points.

I can’t bring myself to write in books — my first job was working in a library, and books are so sacrosanct to me, I can’t bear to even make a pencil notation. I use sticky tape flags combined with handwritten notebook pages for the short term (like a book discussion) and either handwritten or digital notes when working on a blog post or book project.

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Transparent Sticky Notes

I wrote extensively about the benefits of see-through sticky notes in my blog post See Your Way Clear: Organize With Transparent Sticky Notes.  

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To summarize, they give you flexibility when taking notes on written material. You can add non-permanent markings (especially good with library books or borrowed materials), take extensive notes without cluttering the page with marginalia, and reposition them, either on the original text, or as applicable, on your drafts or mind-maps.

Traditional Handwritten or Typed Notes

If you’re taking notes on printed resources to research an article, book, or presentation, you might need room for your mental gymnastics. Taking your notes in a bound notebook, on a sheaf of loose paper, or in a digital document will give you the ample space you need.

You’ll also be able to organize your notes — with clear headings, bullet points, numbering or outlining systems, and any kind of doodles (even marginalia on your notes) you like. The physical act of taking the notes will increase retention.

And yes, in case you’re about to remind me that I talked about how typing/digitizing lecture notes tends to reduce comprehension and memory because you tend to transcribe rather than process, I’m not flip-flopping. When you type what you hear, you don’t process it. But when you type what you read, you translate and process anything that’s not a pure quote.

Additional Analog Annotation Methods

You can also annotate without writing actual sentences, employing:

  • Highlighting and underlining — Mark key phrases or sentences, and color-code highlighting to match themes and concepts. However, if you overuse it, the highlighting or ink will bleed through to the reverse side. Use sparingly.
  • Symbols, abbreviations, shorthand — Develop your own system to speed up the annotation process; use the same characters to mean the same things across all of your note-taking.
Visual Annotation Methods

As with the mind mapping and sketchnoting methods we discussed last week, there’s a related method for note-taking when you’re trying to gather and synthesize written knowledge

The Blank Sheet Method is described in detail on Shane Parrish’s Farnam Street Blog, so I encourage you to read his post, From Passive Reading to Active Learning: The Blank Sheet Method. I can’t reproduce Parish’s proprietary illustration, but the basics are:

  • Before beginning to read, write down what you know about the subject on a blank piece of paper.
  • After you read, add new the information you’ve gained with a different color pen or marker.
  • Before you read the next time, review the sheet. (Lather, rinse, repeat.)

Parish recommends storing finished sheets for periodic review and rewriting for clarity. 

Digital Methods of Annotating

When taking notes on analog content, analog note-taking may be the best approach. When the material you’re studying, researching, or investigating is already in digital form, it’s often easier to annotate digitally. Some of the more popular digital annotating tools are:

  • Adobe Acrobat Reader is best for annotating PDFs. It features highlighting, comments, on-screen sticky notes, drawing tools, and text markup.
  • Notability is best for handwritten and mixed-media notes. It can handle handwriting, text, audio recordings, sketching, and PDF annotation. If you use an iPad and want to blend digital and handwritten annotation, Notability is ideal.

  • Hypothesis works best for annotating web articles, blogs, and research. It’s a web-based tool for highlighting, adding comments, and collaborative notes on PDFs and online materials. It’s for students, researchers, writers, and teams.

Analog or digital, as with note-taking methods for verbally-presented material, annotating written material is just the beginning. Whether you “listen, capture, and engage”  or “read, capture, and engage,” you still have to engage, and that means keeping your notes organized and connected to one another and the central purpose of your work.  For more on annotation:

Annotating Texts (The Learning Center at the University of North Carolina)

The Art of Annotation: Teaching Readers To Process Texts (Cult of Pegagogy)

More Than Highlighting: Creative Annotations (Edutopia)

Why you should annotate your books (Johns Hopkins Newsletter)

Zettelkasten

Do you know Zettelkasten, also called the slip-box method? It was developed by Niklas Luhmann, a German sociologist, to reduce researcher overwhelm and create a network of interconnected ideas, rather than one simple, static archive of information in separate silos. 


David B. Clear, Zettelkasten — How One German Scholar Was So Freakishly Productive, in: The Writing Cooperative, 31 December 2019, CC BY-SA 4.0, Link

How Zettelkasten Works

Zettlekasten was designed to be analog, using garden-variety index cards. (Obligatory link to The Humble Index Card: Organize Your Life, Then Organize Your Cards.) But with modern computing, you can link digital notes notes to one another easily, as with the internal links in Evernote. Here are the basic steps:

  1. Capture notes, each with practically microscopic bits of information — A note should have only one fact, concept, or idea. Brevity is the soul of Zettelkasten; so, no long, convoluted, Paper Doll-style paragraphs. Let’s say you’re writing a book: in the analog version, you’d have one quote to prove your point. At first, that quote is isolated.
  2. Link your notes together — Each subsequent note you take gets connected to related, already-existing notes, forming a network of ideas, a Charlotte’s Web of notions.
  3. Use unique identifiers — In an analog system, this means you’ll use a system of numbering or indexing the notes. In a digital system, your tools (like Evernote or Obsidian) will offer backlinks, the digital equivalents of the red yarn connecting the bad guys in a mystery movie’s murder board.
  4. Create “fleeting” (temporary), “literature,” and permanent notes — 
    • Fleeing notes let you quickly capture raw thoughts that come to you on your own, scratchpad-style. Think of them as shower thoughts.
    • Literature notes are one step up; they serve to summarize key ideas from whatever resources you’ve used: articles, journals, books, lectures, etc., but in your own words. (So, don’t copy & paste, but also, don’t use AI.)
    • Permanent notes are the refined, interconnected insights that build on the ideas you’ve collected and/or created.
    • You may also create “meta” reference notes, which help you think about how your Zettelkasten comes together.

Develop a personal knowledge system (PKS) — Over time, your Zettlekasten becomes an idea-generating machine. It represent what you know, and what you might want to share. It could be everything your freshman needs to write a term paper for Social Studies or the amazing non-fiction self-help book that earns you a place at the top of the best-seller lists — or a series of brilliant stand-up routines George Carlin developed, as explained in this video.

 
How to understand Zettelkasten

Think of Zettlekasten like the Six Degrees of Kevin Bacon game. Each note you take is an aspiring Hollywood star, just needing to be linked to someone bigger. Let’s say I’m writing a chapter on productivity.

  • One lone note about time management is like an indie actor, good but totally isolated and unlikely to reach stardom.
  • If I add a note about prioritization techniques, like a link to my well-established character actor Paper Doll Shares Presidential Wisdom on Productivity with the bit about the Eisenhower Decision Matrix, it’s in a movie with my time management note — one degree of separation.
  • But let’s say I have a third note about Parkinson’s Law (“Work expands to fit the time available to complete it.”), link it to both the general time management note and the Eisenhower Decision Matrix note, and suddenly they’re all in a Marvel summer blockbuster about productivity!

(Hey, it could happen!) 

The point is that a good Zettelkasten is not merely a random collection of notes, but an ever-growing network of interconnected concepts; developing it over time sharpens your thinking and makes your knowledge base not only more expansive, but more powerful.

Zettelkasten is perfect for researchers, authors, deep thinkers, and anyone developing a huge body of networked knowledge. If you’re writing your thesis, a series of books, or building lifelong learning, Zettlekasten is your man (well, system) for less overwhelm, more creativity and retention, better organization, and increased productivity (if handled deftly), 

What are the drawbacks of Zettlekasten? It’s freaking complicated if you’re using an extensive numbering/indexing system connecting all the moving parts.

Some of the best tools to develop your own Zettlekasten include:

  • Index cards of uniform size (so, go 3 1/2 x 5 or 4×6, but not both)
  • Obsidian (for backlinking and networked thought)
  • Roam Research (outline-style, with powerful linking capabilities)
  • Logseq (a privacy-focused, open-source alternative to Roam)

For more on how Zettelkasten might fit into your note-taking (and organizing) style, read:

The Zettelkasten Method: A Beginner’s Guide (Goodnotes)

Try the Zettelkasten method to manage information overload (Atlassian)

Getting Started: The Introduction to the Zettelkasten Method (Zettelkasten)

Ahrens’ Smart Notes

Sometimes, you need to build an easier mousetrap. Sönke Ahrens, a German author, took Luhmann’s Zettelkasten ideas and modernized them for his now-classic, How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking.

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Ahrens looked at Zettelkasten and said “Jeez, Louise, that’s a lot of complexity with numbering and indexing!” (Well, he said it in German.)

So, the Ahrens’ Smart Notes Method is a simplified method designed for knowledge workers (particularly academics, researchers, and writers) who want to create a structured knowledge workflow without going hardcore into the Zettelkasten approach.

Ahrens’ system focuses less on numbering or indexing of notes and places a much heavier emphasis on summarizing concepts (wherever possible) in your own words. It encourages you to write as you go, rather than taking the fleeting notes and the literature notes and then going back to write your permanent notes.

Ahrens advises creating notes with your own interpretations at an earlier stage so your notes are really first drafts. Less structure, more trusting your gut earlier on.

The Feynman Technique 

Physicist Richard Feynman’s system is a learning method, not about note-taking, per se, but baked into his process for helping people understand complex topics is a way to take notes that spur the learning process.

  1. Write down the concept you’re trying to learn about. 
  2. Explain it in simple terms — On the internet, you’ll often see someone say ELI5 — text-speak for “Explain it to me like I’m five-years-old.” How would you explain what you’re trying to learn to a kindergartener, or at least someone who is an absolute non-expert?
  3. Identify areas of confusion or gaps in your knowledge — What are you struggling to simplify? If you can’t explain it, then you don’t really know it yet.
  4. Review and refine your notes — Keep rewriting your notes until your explanation is crystal clear. Picture yourself writing the answer as an exam question, or presenting it on a webinar.

Feynman’s approach is less about note-taking for capturing information than for processing it until you understand it. It’s ideal for students, journalists, speakers, authors, and anyone who needs or wants to both acquire knowledge and put it to use, ostensibly to eventually communicate it to others — even if that communication is solely to pass a test on the material — or use it in their own lives. It can be an academic study aid, or a system for pursuing knowledge on a more lofty level.

Using the Feynman system encourages more active engagement with the content instead of passively copying key phrases out of a book or re-reading lecture notes. It also prompts you to seek clarity, cutting away the excess so your notes are focused and uncluttered. As a professional organizer, Paper Doll approves!

Some good tools for taking Feynman-based notes would be:

  • Traditional notebooks (though it may kill trees)
  • GoodNotes — especially if you’ll be using an iPad or tablet)
  • Evernote — use a combination of handwriting and sketching for clarifying explanations; if you spent your time in the Microsoft environment, OneNote is a similar option.
  • Notion (for refining the explanations over time)
  • Flashcard apps to help reinforce key ideas over time and find them again. Examples include Anki (free, open-source), Quizlet, and Kards.ai.

DIGITAL NOTE-TAKING PLATFORMS

Beyond options for general academic purposes (and those mentioned in these three posts), there are too many specialized digital note-taking platforms to mention even a representative number.

For casual, situational note-taking on your phone or organizing notes for travel, Apple Notes, Evernote, OneNote, and Google Keep suffice.

Creative writers and journalists alike benefit from Scrivener to keep their research close to their writing; novelists might like Campfire for character notes, world-building, and plotting. Know someone composing musical notes? Try 7 Best Music Writing Software Programs for DIY Musicians or Resources for Creating Your Own Sheet Music.

HYBRID NOTE-TAKING: A MARRIAGE PERFORMED BY A ROBOT

AI’s role in note-taking will continue to expand in ways we can’t imagine. Right now, we can feed our notes (whether handwritten or typed) into an AI to yield notes on our notes.

You could record a lecture, interview, or meeting and ask your favorite AI for a transcript so you can focus on just key concepts and then go back to flesh things out. After reviewing the transcript, you could ask the AI to write an outline or summary.

Last week, I uploaded the link for the podcast I did with Frank Buck and asked ChatGPT to outline and summarize our conversation. It was revelatory. I stored links, the actual video, and the outline in Evernote to link to other podcast appearances. If I uploaded the audio file, with the click of a button, Evernote could transcribe the entire conversation!

Did you know that your (paid) Zoom account’s Smart Assistant can not only transcribe any Zoom call, but can summarize the chat messages and identify action items? Whatever audio or video recordings you create in any setting, you can turn around and use a variety of AI platforms to transcribe, summarize the discussions, identify next steps, and draft an email to your boss explaining why you deserve a raise!

You can have an AI interrogate your own notes to help you find specific research material without having to hand-search with Command-F. Imagine you’re writing a book and have 1000 research notes in PDF form. Upload them to a tool like Google’s Notebook LM, and instead of having the AI find content from all over the web (and risk AI “hallucinations,” false content), you can have it just provide you with snippets of research specific to what you want to write about that day. Scarily, you can even have “conversations” with the AI about the notes you’ve taken!

Nota bene: the future (of note-taking) is going to get weird.

Posted on: February 3rd, 2025 by Julie Bestry | 11 Comments

Have you ever seen a sign with the letters “N.B.” on it or a set of instructions where the highlighted part says N.B.?

N.B. is short for nota bene, the Latin for “note well,” or in our own vernacular, “Hey, take note!” and until about thirty years ago, it was common to see N.B. on documents, notices, and signs, warning that something was important.

The Maryland Gazette (March 19, 1801). “Wanted, A Wife (Advertisement, Extra)” Public Domain Link

We may not use the Latin abbreviation much anymore, but we sure do have a lot of things to which we need to pay attention, or pay heed, or take note! Today, we’re going to look at different areas of our lives in which we need to capture and organize information by taking notes

The inspiration for today’s post was friend-of-the-blog Dr. Frank Buck. Recently, I sat down again with Frank for his fabulous podcast Get Organized!, to talk about note-taking in all of its myriad forms

In the episode entitled, Your Note-taking Just Got Better (with Julie Bestry), Frank and I chatted about the evolution of note-taking from the structured forms we learn in school to the various ad hoc and formal notes we use in adulthood, and we explored the importance of adapting our note-taking strategies to our individual needs and contexts.

I espoused my personal preference for analog note-taking (on my beloved purple Roaring Springs Enviroshads legal pads) in client sessions, both for the tactile engagement as well as how it helps me ensure my clients feel that I am focusing on them.

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But because Frank and I both love tech solutions (and are both Evernote Certified Experts), we also looked at the ways we are able to integrate our notes digitally into searchable, accessible formats.

Our discussion delved into how to establish a consistent system, and we came to some agreement on the practical tips that ensure that notes are useful. But note just take my word for it. Frank included an amazing outline and list of resources in his show notes. (N.B.: scroll down).

You can listen to the episode on the episode page linked above, or on Spotify, Apple Podcasts, or wherever you get your yummy podcast goodness. And, if I managed to link this properly, you might even be able to listen from this embedded version.

Of course, if you prefer to see our smiling faces, can watch the episode on Frank’s YouTube page or even here, but be sure to click through to YouTube to leave Frank some nice comments and a thumbs-up/like.

 
 

TYPES OF NOTE-TAKING SITUATIONS

When you think of taking notes, what first comes to your mind? Is it sitting in a lecture hall scribbling notes to later study for a test? Perhaps you envision gathering information for a project? The truth is, the concept of “notes” cuts a wide swath through our lives, and our ability to take notes and keep that information organized may determine our success in a wide variety of endeavors. For example:

Academic Settings

We start taking notes in elementary school, with the teacher telling us what will be important to write down. (“This will be on the test!”) As we get older, in high school and college, we’re expected to suss out for ourselves which material is important enough to capture and how to separate the wheat from the chaff. (“Will this be on the test?”) Why? Because we can’t get it all down before the instructor moves on to something else!


Sidebar: analog vs. digital notetaking in academic settings

We aren’t robots or androids. (Though it might be cool if we were.) We lack the motor dexterity to hand-write everything as fast as the educator can speak, so it’s important to try to figure out what is essential.

While we can type faster than we can write, research have often found that for academic success, it’s not ideal. For children and adults, writing notes in long-hand can improve memory word recall; for kids, that means creating the foundational aspects of learning and literacy. For adults, handwriting notes has been proven to improve conceptual understanding of educational material.

Computer and Notebook photo by Matt Ragland on Unsplash

The research spells out the academic advantages of taking notes by hand as:

  • Improved memory retention — The act of physically writing notes engages more brain regions associated with memory formation, so students recall more vs. when they just type their notes. 
  • Forced summarization — When students write by hand, they must condense spoken words, narratives, asides, jokes, responses to students’ inquiries, etc. into key points. This process promotes “active learning” so the note-taker will better understand the material.
  • Reduced distractions — Paper is boring. It just sits there, and unless you doodle, there’s nothing but your notes to look at, so distractions are minimized. On a computer or tablet, audio and text notifications pop up, tempting the note-taker to divide attention between mitochondria being the powerhouse of the cell and the a notification of the latest celebrity breakup.
  • Visual organization — “Aha!” you’re thinking! Here’s where Paper Doll must be wrong. Surely you can do more to organize notes visually on a computer, because you can format important things in bold, italicize unusual terms, use different color text, or even highlight entire sections in different colors.

And yeah, you can, but not until later, after class, when you’re studying, and might no longer remember which things needed accenting. Plus, the cognitive component of studying is different from the one at play when you’re taking notes.

But when you’re taking notes contemporaneous with the lecture, you can:

    • change from cursive to printing
    • add block letters
    • underline or circle key information
    • draw diagrams
    • put symbols in the margins (like an asterisk to say, “Hey, this will be on the test!” or a question mark to tell yourself, “I totally don’t get this. Go to office hours to ask the prof what this meant.”)
    • use different pens (or sparkly ones!) to color-code as you go
    • or use the geographic landscape of the page for different methods of learning the material. (That last part is key to the Cornell Note-Taking Method, which Frank and I discussed in the podcast, and which I’ll explain in greater detail in next week’s post.) 

All of these advantages convince me, but one element of this “feels” the most believable to me. In a classroom setting, when we hand-write, we process first, then translate what we hear into those few, condensed phrases; when we type, we’re more likely to try to transcribe (almost) everything we hear, bypassing our brains and letting our fingers do the walking. We become like court stenographer, gathering the details without relating to them. When we transcribe, we may as well be an AI platform

Of course, there are advantages for students to take academic notes on devices vs. writing in longhand.

      • Typing is faster; when you’re feeling overwhelmed by the influx of information, typing may give you some breathing room to absorb what you’ve taken down in those few extra seconds vs. the pen-on-paper peeps. 
      • You can organize digital notes with pertinent headings, color-coding, and after-the-fact added graphics, plus you can copy & paste notes you’ve taken from the readings. If a professor makes an aside or expands on an earlier topic because a fellow student has asked for clarification, you can cut & paste the later blurb into the earlier, related section.
      • Digital notes can be edited after the fact to make them make more sense. You can’t really edit notes in longhand; you can only re-write them.
      • Digital notes are searchable, allowing you to key in on particular concepts. 

If you’d like to geek out on this, avail yourself of these research papers and articles, arranged starting with the most recent:

Not everyone agrees on this, particularly in an academic setting. The politics of teaching (or not teaching) cursive writing, the neurobiology of how our brains process information when writing vs. typing, and the arguments of the relative merits of speed vs. comprehension make this a fighty topic in the world of education. Maybe I believe the research because I’m already inclined toward a slower, more analog approach to note-taking, or maybe it’s just (in Stephen Colbert’s words) the seeming truthiness of these researchers explanations. Students must find their own way.

As Frank and I discussed, however, it doesn’t have to be either/or.

In academic note-taking, as well as in all of the other note-taking situations described below, you have options.

A hybrid approach, one in which first-level notes can be taken in longhand, then digitized to be edited, organized, refined, and searched, is increasingly applicable, both for students and for most of these other situations. 

OK, back to our regularly scheduled program.


Academic settings don’t just include taking notes in the classroom. Diligent students also take notes on what they’re reading, whether by writing on notepads or typing in a document,  annotating books and documents by scribbling in the margins (or on transparent sticky notes, as I wrote about in See Your Way Clear: Organize With Transparent Sticky Notes), making flashcards, etc. We’ll look more at this aspect in the next post.

Non-Academic Learning and Skill-Building

When you’re not learning something for a grade, there’s less pressure on your note-taking skills; you may not have to learn as quickly, so you can focus on hitting the things that seem essential, as you can always go back to get help with the finer points. This category encompasses things like learning a new language, learning how to code, even gaining cooking skills.

(Il vegetariano compra l’insalata. In case you were wondering.)

As with academic settings, you may take notes on what you hear from a lecturer (whether in person, on a webinar, or even watching a YouTube video), but you also may make experiential notes: telling your future self that you should only whip the sugar and eggs for two and a half minutes, not the three called for in the recipe, or that you should inhale after the fourth measure of the song you’re learning for choir so you’ll have the lung capacity to make it to the bridge or the chorus.

Conferences and Large-Scale Professional Settings

I’ve attended many NAPO conferences, and the educational offerings are tremendous. But I have to admit, sometimes I psych myself out when trying to take notes.

There’s a voice in the back of my head shouting, “You paid SO MUCH for this conference, air fare, hotel, and cute outfits so your colleagues don’t think you only own that one cardigan you always seem to be wearing on Zoom, so be sure to get EVERYTHING down in these notes.” Even though there’s no exam, there can be self-imposed pressure to capture every nugget of information.

I’ve written in the past about my attempts to take conference notes on my iPad vs. my traditional notepad method. The first year, I’d only had an iPad for a few weeks, didn’t yet own a smart phone, and was so delighted (and distracted) by the availability of email and texting (both of which I’d only had through my iMac at home) that I struggled to focus.

The next year, I wrote about my more concerted digital efforts in NAPO2014: Taking Notes–The Paperless Experiment. I provided the results of my experiment, but ruled that the jury was still out. At that time, I felt the jury was still out, and up until 2020, when the conference was canceled due to the pandemic, I was still not happy with a fully digital note-taking approach. Tech has come a long way in the last five years, making a hybrid method much more appealing. 

Work Meetings

You know the expression about how, “This meeting could have been an email.” If it had been an email, you wouldn’t have had to take notes!

Because communication in meetings, even with agendas, can be ad hoc, there are fewer indicators of what is important to capture. Certainly, you want to write down any “next actions” assigned to you, but unless it’s your responsibility to take minutes in meetings, the best reason to take notes is to make sure you don’t get caught being distracted by things on your phone.

When I worked in TV, my otherwise stellar general manager would ask a department head to take notes during meetings when the executive assistant was on vacation. But he only ever asked women. (This was the 1990s.) It made me cranky, not only because it felt sexist that only half of us were ever asked to do it, but also because my handwriting was bad and I couldn’t engage meaningfully if I was playing stenographer.

The first time, I was only 25 and not yet confident enough to either say no or be maliciously compliant, so asked everyone to give me their speaking points and I’d type up a summary. The next time, I said, “No thank you. I’m sure it’s Larry’s turn.” Happily, Larry was much better at it, and after that, we passed a micro-cassette recorder around the table to record what each of us said, so nobody took notes.

Situational

These are “life” notes. They can range from serious, like the notes you might take if you or a loved one has just received a medical diagnosis and you want to write down the treatment options and next steps, to casual, like the notes you take when you make (or receive) a phone call and want to capture quick details like names, appointment times, or directions.

Research

Research notes encompass everything we take notes on where the information is not spoon-fed to us. Unlike in a lecture hall, webinar, or conference, this kind of information involves gathering data from multiple sources — books, periodicals, journals, interviews, and even scientific (or social science) experiments. 

Notes by Hand and Computer, Photo by Kaboompics.com

Such notes may be taken by journalists, authors of non-fiction, students writing academic papers, graduate students writing a doctoral or other thesis, etc.

Creative

Unlike taking notes on research, which tends to be outwardly focused on what is found elsewhere, whether created by others or observed by the note-taking individual, creative note-taking is more personal.

Guitarist making musical by Artem Podrez

When you take creative notes — for example, if you’re a novelist, an artist, a musician, a designer, etc. — you are capturing your own thoughts and innovations in the form inspirations, lyrics, sketches, etc. Creative notes may involve words, drawings, musical notes, or other note-capturing formats.

Travel

If you’re planning travel, you might take notes on the research you’ve done regarding options for hotels, flights (or trains or ships), and sights, in advance of your trip. However, you might also make contemporaneous notes about changes in your itinerary, jot thoughts down for later journaling of experiences, or capture must-remember details, like what platform to switch to when you changing subway trains.

Legal and Financial

These are life notes with added importance, similar to the more serious situational notes. These might be require taking notes in a meeting or conversation with your attorney or investment advisor, or could involve making notes on what you’ve read (similar to the different academic note concepts).

For example, I have clients who’ve taken precise notes in divorce mediation meetings, combined with notes on each iteration of the divorce agreement until everything was finalized; for some, this was about having a sense of control during an emotionally roiling time

If you’re negotiating a contract, figuring out how to invest for retirement or your child’s education,  trying to structure a business, or deal with the best possible tax implications, you may want to take notes to help you better understand the options or to make sure that later on, you can reflect on why you chose to make the decisions you did.

Emergency or Crisis Situations

When you’re calm and nothing is distracting you, taking notes can be a perfectly ordinary (or boring) task. But in a crisis situation, when your mind is spinning, keeping track of information and urgent next steps can be overwhelming.

Calming your mind to make sense of things can be difficult if you’re the victim of a crime (as I wrote about in Organize to Prevent (or Recover From) a Car Theft) or there’s a family crisis (such as during the floods in western North Carolina this fall, when my client was trying to capture snippets of phone information while his elderly mother was being airlifted to safety).

During a crisis, taking notes gives you the opportunity to focus on something a little more tangible and removes some element of emotion from the process.

During a crisis, taking notes gives you the opportunity to focus on something a little more tangible and removes some element of emotion from the process. Share on X

Back in 2017, Paper Mommy‘s heart surgery ran much longer than we were told it would, and when the doctor finally came to speak with me, he began explaining what had happened. I immediately started writing down what he said, but he discouraged me, saying I wouldn’t be able to get it. I stared him down, and our family friend encouraged him to keep talking.

When he was done, I said, “This is what I think I understand…” and proceeded in my own words to recap what had happened, what they were going to do next, and what the timeline was. This wasn’t just so that I could explain things later to my sister and my mom’s friends (or to prove the doctor wrong). Taking these notes was an essential part of making sense of what was going on in order to calm me down. 

I’m not a doctor; I didn’t “need” to know the science of it. But as a daughter (and as a person who struggles when things are vague or confusing), I nonetheless needed to take these notes. 

NOTE-TAKING: WHAT’S THE BEST METHOD FOR YOU?

When I initially told Frank I’d be delighted to be on his podcast again, I vaguely thought, “Oh, and then I can write a follow-up post with a few extra ideas. It’ll be a short post.” Well, long-time Paper Doll readers know how that usually turns out!

After recalling the handful of note-taking situations Frank and chatted about, I kept thinking of other, more narrow categories. Then, I’d figured I’d write a few paragraphs about the Cornell Note-Taking Method and a few other analog methods, and then give a nod to digital note-taking platforms.

But then I realized I’d completely skipped the idea of audio notes and AI!

The more I read of my own notes on note-taking (how meta of me!) from recent years, it became obvious that one post wasn’t going to be enough. So, if you’re trying to learn how to take better notes in webinars, or you have a high school or college student who is looking to improve how they capture and organize their notes, be sure to make a note (heh) to come back next week for the follow up. 

Going forward, we’ll examine:

  • analog note-taking methods you may not be familiar with (like the Cornell Note-Taking Method, Zettlekasten, the Ahrens’ Smart Notes Method, the Feynman Technique, mind-mapping, and more)
  • digital note-taking platforms including, but beyond the big names like Evernote, OneNote, and Notion, and including apps for organizing learning, remembering, and being productive
  • identifying which of these analog and digital methods might be initially better for the categories outlined earlier in this post
  • how to create a hybrid system, combining the advantages of analog and digital note-taking
  • the different capturing methods applicable for taking notes on things people are saying vs. concepts you’re reading/researching vs. ideas you’ve created on your own 

I can’t guarantee you’ll have fewer meetings that should have been emails, that your novel will sell better, or that your kid will remember what happened in the War of Jenkins’ Ear. But you will have a broader idea of the varieties of note-taking options you have, and a better sense of which might work best for you in different circumstances.

 

Posted on: November 20th, 2023 by Julie Bestry | 10 Comments

Whether you’re getting ready to go over the river and through the woods, hosting a Thanksgiving celebration of your own, or stuck (in an airport or at home) with too little to do, today’s post is for you. 

I’ve created a Thanksgiving buffet from which you can take some tastes and figure out what you like. Decide for yourself whether to categorize any of these as appetizers, entrées, sides, or desserts. There’s nothing serious to require your deep attention, so just nibble as though you were sneaking through the kitchen on your way to watch the parade.

GRATITUDE AND A FOLLOW-UP ON THE CAR THEFT

If you read my August post, Organize to Prevent (or Recover From) a Car Theft, you know that I was a victim of the Kia Boys, young miscreants across the United States who steal KIAs and Hyundais, not for financial gain but for “street cred” or thrills. It’s my philosophy that almost anything bad from which you recover makes a good anecdote (or blog post), but the lesson of preventing car thefts and recovering from them is one I’d have preferred to research online rather than personally experience.

The indignities of being a victim of theft did not stop with the recovery of my little red PaperDollmobile. Due to a turf war between towing companies, miscommunication at the body shop, an utter failure of professionalism on the part of someone we’ll call the Jerky Insurance Dude, and a series of back-ordered parts (mostly due to the mass of Kia and Hyundai thefts nationwide), it took two months for my car to be repaired and returned

Just a few weeks ago, the federal judge who initially refused to approve the $200 million class action settlement against Kia and Hyundai because it wasn’t supportive enough of victims has acknowledged the revisions to the settlement and approved it. It will likely be years before we victims see those compensatory funds (almost certainly be reduced by attorney and court costs), but the resolution is something else for which I can be thankful.

Meanwhile, if you haven’t read the original post, or if you’d like to hear more of the updates, or if you just prefer a good chatty tale, friend-of-the-blog Dr. Frank Buck recently had me on his podcast in an episode entitled From Chaos to Clarity: A Professional Organizer’s Car Theft Journey.

Frank and I discussed many of the concepts in my blog post, but also expanded upon teh experience. We talked about handling the unexpected, and how to deal with shock of a situation but still capture the essential information in order to survive and get to the other side. Professionally and personally, Frank and I can attest to the essential role of good note taking during any emergency or catastrophe.

If you watch the podcast on video, above, and please leave a comment or “like” on Frank’s YouTube page. Or, if you’re driving somewhere this week and need to drown out the “Are we there yet?” whines punctuated by kicks to the back of your seat, you can listen to my episode of Frank’s podcast on Apple Podcasts, Google Podcasts, Spotify, Overcast, Castbox, and pretty much wherever you get your pumpkin-spiced podcasty goodness.

HOW TO SHOW GRATITUDE FOR OUR BOUNTY

“There is no product or service more ecological, sustainable and recyclable as the one we do not use.”

Philippe Bihouix, engineer and author of The Age of Low Tech: Towards a Technologically Sustainable Civilization

This quote, included in Sunday’s Cool Tools Lab’s Recommendo newsletter, was certainly well-timed.

What a perfect way to show gratitude for the bounty in your life by using the week ahead to identify what you’re not using or wearing and earmark those items for donation.

Thanksgiving is an ideal time to discuss with your children the concept that not everyone has as much, and help them consider the toys and games they’re no longer enjoying. It’s a great way to be responsible to the planet, their fellow humans, and their own home.

And what better way to teach your children than by example?

Last Friday, I gave one of my signature speeches detailing all the reasons why it’s difficult to let go of possessions. I talk about how we sit on our “Buts” (one T) as in, “I’d let go of it…but it was expensive.” Or, “I’d let go of it, but it was a gift.” In part of that presentation, I noted that one of the big “buts” in letting go of excess is “But I want to find the perfect home before letting go.” 

People Working at Donation Center Photo by Gustavo Fring via Pexels

We hate spending the time, money, and effort to keep what we don’t want or need, but we hate the idea of “wasting” perfectly good items more, as if languishing in OUR basement is a better fate for something than ending up with (an unknown) someone whose worth we can’t know or judge.
 
So, we decide that as soon as we find the perfect place for an unused table to go, we’ll send it on its way, but either we don’t know about available resources (like a furniture bank or Habitat for Humanity’s Restore) or we never go all the way from making the decision to actually getting it out of our homes. Take comfort that whether you recycle, donate, or sell, letting go of what you never use has three benefits. It means a good home for the item, joy for the new owner, and more space for you.

Take comfort that whether you recycle, donate, or sell, letting go of what you never use has three benefits. It means a good home for the item, joy for the new owner, and more space for you. Share on X

As we say in professional organizing, done is better than perfect! 

GET CRAFTY ABOUT REDUCING YOUR CRAFT STASH

Speaking of getting rid of excess for purposes of sustainability, my fabulous friend and colleague Janice Simon of The Clutter Princess brought my attention to a nifty option for all of you crafty (and aspiringly crafty) folks.

Destashify is your resource for letting go of the excess cloth- and needlework-adjacent craft supplies you have on hand. It’s a bit of crafting thrift shop. In their words: Destashify is dedicated to keeping sewing, quilting, knitting, crochet, and other wearable art supplies out of landfills. 

Destashify will sell, recycle, or donate your excess crafting supplies to individuals or organizations who will make use of you letting them instead of letting them pile up in the corner.

Obviously, if you actively work on your crafts, nobody would encourage you to stop. But if you have piles of these kinds of supplies, either in your own space or the space of someone you have responsibility for maintaining, Destashify offers a few nifty options.

Destashify, Filtered for Purple Yarn

Sort through your materials and collect any unwanted fabric, patterns, yarn, trim, and notions. If you have books, magazines, or DVDs on sewing, quilting, or related crafts, as well as patterns or even machinery (like sewing machines, accessories, and software), add them to your outgoing stack. Now, you have two options.

Sell Your Craft Supplies via Destashify

If you sew, quilt, knit, or are otherwise a “fiber artist,” you can destash (that is, declutter your stash), start a side hustle to fund your hobbies or life, or expand any craft-related existing business with a new outlet. 

Destashify charges no up-front costs to sellers. If you sell supplies via Destashify, they keep $1 + 15% of the remaining product subtotal. Beyond that, they charge no extra listing fees or payment transaction fees. If any of your items fail to sell, they won’t charge you anything for the listing (or re-listing). Buyers pay one flat fee for shipping, and sellers retain 100% of the shipping fee, but are responsible for the actual shipping costs.

Donate Your Craft Supplies to Destashify

If you donate your craft supplies, Destashify will pay for the shipping! (Note: Destashify is not a 501(c)(3), so you can’t deduct the value of your donation on your taxes.)

Destashify may donate your donations to organizations, like schools, or sell to fund operations. As when you donate anything, make sure your supplies are in good, clean condition. They can be related to: sewing, quilting, knitting, crochet, weaving, embroidery, tatting, upholstery, and home décor. Gather them up in a box (or boxes) and then:

  • Click on the “contact us” link at the bottom of every page of the Destashify page and tell them that you want to donate
  • Once you provide your shipping address and phone number, Destashify will send you prepaid shipping labels (with the information you provide as the label’s return address).
  • Include the height, width, and depth dimensions, as well as the weight of each package you want to send. (Limit your shipping box dimensions to under 19 inches.) 

They require a minimum of one yard of apparel fabrics or 1/4 yard for quilting fabrics. Leather, suede, and fur are accepted, as is yarn. Notions include doohickeys like thread, elastic, and grommets, while fastenings are, as you might guess, things that let you fasten clothing, like snaps, buttons, or zippers. Destashify will also accept small tools, like rulers, scissors, and awls.

However, they are unable to accept donations that are heavy or oversized, requiring excess storage space or egregious shipping costs. So, please don’t donate big storage or furniture items like cabinets or sewing tables, nor heavy machines like sewing machines or sergers. (You can list them for sale through Destashify, though!)

Watch two of the Destashify-ers talk about craft donation hauls here.

Destashify is a young venture, so they currently only support U.S.-based sellers; they are able to ship to buyers in Canada and the United Kingdom.

Finally, if your craft area is nicely pared down and organized, and you’re interested in buying from Destashify, just click on any menu and use the left-side panel to filter for things like color families, fabric types, fibers, patterns, garments and garment types, weights, and more. 

PUT THE KIBOSH ON COAT CLOSET KERFUFFLES

Longtime readers of the blog know that I’m not one for recommending unnecessary products, and I don’t usually mention products that are too far afield from organizing your paper, information, and productivity. And I definitely avoid recommending products before they’re entirely on the market. However, when things come across my TikTok feed that make me sit up and take notice, I want to share them with you.

Swedish inventor and YouTuber Simone Giertz has developed Coat Hingers, and no, that’s not a typo. Giertz’s Kickstarter was seeking $50,000 to manufacture foldable hangers to allow for clutter-free storage in shallow closets and narrow spaces. In the first two days, she not only hit her goal, but exceeded it! Now, with 26 days remaining in her Kickstarter month, she’s already garnered $255,984 in pledges from 1940 backers aspiring to own the product.

Unlike the kind of foldable hangers designed to be used in luggage, Giertz found no solutions for folding hangers meant to actually be hung in closets, particularly shallow ones. So, she created her own, developing prototypes of hinged hangers.

You just put your article of clothing on the hanger, fold at the hinge, and now you’ve got the ability to store the shirt (or whatever) in half the depth.

Whereas traditional hangers measure about 17 1/2 inches, horizontally, Coat Hingers fold to take up just 9.3 horizontal inches. The hingers are made of stainless steel hangers with injection molded acetal hinges for durability. 

Supporting Giertz at this point is a pricey, but if you’re in a small space and are likely to be there a while, it’s worth considering. One Coat Hinger is $20, and a dozen are $75. 

Because Coat Hingers need to be a certain distance from the wall, they recommend that in lieu of off-the-shelf (no pun intended) closet rods, you make the rods in their kits, which come in four different color schemes (charcoal, white, red, and green). The shelf kit is $270, while the small bracket kit is $135 and the large is $200. The shelf kit and large bracket kit come with two dozen Code Hingers; the small bracket kit comes with one dozen.

All Coat Hingers come with a set of silicone stoppers that slide along the diagonal arms of the hanger to keep items with low necklines or thin straps from sliding off of the hanger.

Unfortunately, Kickstarter videos aren’t shareable. (Why?! Social sharing would bring in so many more backers?) However, Giertz’s YouTube channel has a great video on how her product came to be that will give you a good sense of what she’s creating.

(Did you notice that it’s pronounced coat hinge-er, accenting the hinge, rather than coat hing-er to sound like hanger?)

When I was in graduate school, I lived with six other students in my program in a scary green Addams Family-esque house with squirrels in the attic. Due to the luck of the draw, I got one of the larger bedrooms, but the closet was minuscule, slightly smaller than a telephone booth, with the sole rod positioned on the diagonal. Hanging clothes in that shallow a space was almost an impossibility, as was keeping any kind of order. I would have loved Coat Hingers back in 1990!

DE-STRESS THE HOLIDAY SEASON FROM THE START

Thanksgiving is the official start of the holiday season, which means it can also be the start of the stressed-out, exhausted season as well. I’ve got two resources for you for keeping your season on an even keel. 

First, the theme of Janet Barclay’s November Productivity and Organizing Carnival is Stress-Free Holidays. It includes 15 posts from my fabulous colleagues for helping you deal calmly with planning and organizing your season and getting the self-care you need.

Then, you might want to pick up a copy of my classic season-smoother, Simplify the Season and Save Your Sanity so that you can thrive, and not merely survive during the upcoming holiday season.

Are you so frazzled by mid-December that your nerves start to feel like tangled Christmas lights?

Have visions of sugarplums been replaced by nightmares of long lines and traffic jams?

Does that Thanksgiving turkey remind you of a time bomb, ticking down to the big day in December?

If so, Simplify the Season and Save Your Sanity may be exactly what you need.

PLAN FOR A SANE RE-ENTRY NEXT WEEK

Heading back to work after a long Thanksgiving weekend can be overwhelming, and it can be tempting to try to barrel your way through the work. However, back in October, we talked about the importance of taking time away from your desk to refresh, whether short-term or long-term. 

Take a Break — How Breaks Improve Health and Productivity

Take a Break for Productivity — The International Perspective

After you revisit these posts, you may want to read this piece from The Muse, Take Five: 51 Things to Do When You Need a Break at Work.

I’d explored a variety of break options, but some readers mentioned that they often feel guilty taking breaks that “looked” lazy, as if doing healthy things for your body, brain, and spirit somehow lacked worth. (Remember Paper Doll telling you this: you are not your job or your role. Your worth does not come from what you do. It’s innate to who you are!)

The genius of this Muse post is that it offers some fun suggestions, links, and resources for digging deeply into categories of breaks that still accomplish something, in case you’re still working on accepting yourself even when you’re not entirely in worker-bee mode. The categories are:

  • Energizing
  • Brain-Boosting
  • Social
  • Productive (It won’t surprise you that this is my favorite category of tips!)
  • Career-building
  • Relaxing
  • Downright Distracting

My favorite, given that we’ll have just come out of Thanksgiving, is #18:

Send a thank you note to someone who’s helped you out recently—your assistant who’s gone above and beyond or a co-worker who proofread a report for you. It doesn’t even have to be something big—in fact, bonus points if it’s not.


And with that, kind readers, I thank you for reading, commenting, and sharing. May you and your families and friends have safe travels and a happy, healthy Thanksgiving.

Posted on: March 6th, 2023 by Julie Bestry | 13 Comments

Welcome back to another installment of our rare Paper Doll series of interviews with colleagues and special guests. I’ve interviewed productivity specialist Melissa Gratias, academic/life coach and inventor Leslie Josel, genealogy organizers Janine Adams, Jennifer Lava, and Hazel Thornton, and life coach/author Allison Task.

Today, I’m excited to introduce you to journalist/writer/editor/playwright/lyricist/librettist Kara Cutruzzula (rhymes with Methuselah!), friend-of-the-blog and purveyor of motivational oxygen.

We met when I subscribed to Kara’s newsletter Brass Ring Daily in 2019. She’d provided a link to a spec script she’d written for Gilmore Girls, one of my all-time favorite TV shows, and I wrote a fan-girling email to tell her how brilliant and talented she was, the subject line of which was, “My neighbor was awakened by my raucous laughter thanks to your Gilmore Girls script!” Kara’s ear for dialogue and how she made secondary and tertiary characters like Michel and Lane absolutely shine were impressive.  

Paper Doll readers may initially wonder what Kara’s talent for capturing the distinct voices of characters on a hit television show has to do with organizing and productivity, the bread-and-butter topics here on this blog. But you’ll soon see — and it all started with that get-to-know-you chain of emails where Kara and I traded our insights about the process of getting things done — and the frustration of not getting things done.

We kept finding ways to work together and support one another’s efforts. I interviewed Kara about newsletter writing and magazine editing for a monthly meeting of the NAPO Authorship & Publishing Special Interest Group and then she interviewed me for a great feature for Forge, Medium’s personal development outlet. Readers, that piece, Now Is the Right Time to Declare Bankruptcy on Your Projects, is so good, you should open it in another tab right now so you don’t forget to read it.

And Kara just interviewed me for the soon-to-premiere season #2 of her Do It Today podcast! If you find productivity compelling, or you could use a little motivation to turn your dreams into reality, get to know Kara!

EVERY SUPERHERO HAS AN ORIGIN STORY

Paper Doll: Could you tell Paper Doll readers about your early life and college years? I know you majored in English at UCLA. What did you plan to do when you finished school?

Kara Cutruzzula: Hearing this question makes me laugh because…I didn’t have a solid plan! My Big Idea was to move to New York and find a job “working with words.” (So cute!) I was applying for internships and editorial assistant jobs every day. Book publishers, magazines, websites, university presses, you name it.

A few weeks after graduating I bought a plane ticket and took advantage of the generosity of my aunts Gina and Jo by crashing on a pull-out couch in their apartment (we called it “the nook”) and crossed my fingers I would find something to do. Then I did.

This highlights something that’s come up over and over again in my career: First you leap, then you figure it out.

You have used your words to craft a set of interlocking and parallel careers. Basically, you’re a polymath (a fancy-pants way of saying Renaissance Woman). Your fascinating and diverse experience includes work as an editor, writer, newsletter creator, playwright, lyricist, and podcaster.

Did (or how did) your internships in film and TV prepare you for the career path you’ve had? How did you get your start in writing for online outlets? 

In hindsight these unpaid college internships (at a film development company, at a publicity firm working on Oscar campaigns, and a B2B travel magazine) laid stepping stones for the future. I loved taking the bus (yes, I was the rare LA bus rider) to the 20th Century Fox lot to work at the film development company.

Sure, I picked up chopped salads for the executives, but I also read and wrote coverage of screenplays and TV pilots, and covered assistants’ desks when they were out of the room. (To this day, there’s still nothing scarier to me than “rolling calls” — placing and returning phone calls to intimidating execs at a lightning-fast pace!)

Working at the travel magazine was a great stroke of luck, too. The editor-in-chief, Ken, kindly set me up on an informational interview with a magazine editor when I moved to New York. No job came from that interview, but even a short getting-to-know-you meeting is a huge lift to your spirits when you’re 21 and don’t know anyone in the industry.

As for writing, if you caught me during the first five years of my career, I wouldn’t have called myself a writer at all! In 2008, I was hired as a culture intern at The Daily Beast, a then two-month-old website founded by editor Tina Brown. The team was small, maybe 15 people, and that was my real education. I helped the culture editor plan out culture coverage — what was the site going to cover and how were we going to cover it? — and transcribed interviews and contacted publicists and all sorts of other tasks. 

Then I became a homepage editor. Remember, this was back in 2008. We weren’t getting traffic from social media. People actually visited a website’s homepage. As a homepage editor, you were responsible for story placement, headlines, photos, and deciding what needed coverage on the Cheat Sheet — basically “the mix,” as Tina called it. What did people want to read? (Actually, being a homepage editor was scarier than rolling calls!) But there was a real sense that what you were doing was important. You were covering the news. Everyone was incredibly invested, and the team was brilliant.

After The Daily Beast merged with Newsweek in 2010, I moved over to the magazine side to edit and assign stories for the back-of-book section covering film, TV, theater, fashion, and a back-page feature called “My Favorite Mistake,” where I interviewed James Earl Jones, Barbara Corcoran, Richard Branson, and other fun folks. But I got a crash course in magazine editing. Very different from editing for a website! You can only fit so many words on a page. I loved it.

This is a very long way of saying I was primarily an editor for four years. It was fun and rewarding and also exhausting. Newsweek published its Last Print Issue in 2012 (it’s since been resurrected) and I was laid off.

I didn’t want to work full-time at another magazine or website. (This was 2012; freelancing was a little less common than it is now.) So I thought: What else is out there?

Over the next 10 years, I became a writer

GRABBING THE BRASS RING

You launched Brass Ring Daily in 2017. What caught my eye in those daily emails and the (now) 1000+ newsletter archive was the fact that while you were writing about disparate aspects of your own life, theater, and things that were going on in the world, you were blending motivational quotes, advice about productivity and self-empowerment, and doing it all without trying to sell anything. And Vanity Fair called it, “A life coach in your inbox.”

What prompted you to start the Brass Ring Daily? What has meant the most to you about the experience?

I became a freelance writer and editor — I even spent a solid three years as a travel writer — but I was also holding these monthly “summits” at my apartment where creative folks and friends would talk about projects and share resources.

[Paper Doll Editor’s Note: My late, great high school history teacher, Mr. Fred Murphy, would have wanted me to draw the parallels between Kara and Madame de Staël, an 18th- and 19th-century Frenchwoman and writer, famous for connecting the greatest minds of her era in salons.]

I took notes during these meetings so that one editor’s name or that great productivity tool was recorded for anyone who needed it. I wrote up a summit recap and sent it out to the group.

After a year or two, my friends Alison and Daphna asked if I ever thought about starting a newsletter. So…I did! And it’s the smartest thing I’ve ever done for my career and also my sense of self as a writer. I always tell people to own something for themselves, even if that something is small.

The newsletter gave me a daily deadline that wasn’t attached to an editor or assignment. I didn’t have to answer to anyone, except my own nagging guilt if I skipped a day. And it gave me a place to collect all the inspirations, book quotes, and my own thoughts on creating. The newsletter collects them and allows me to let them go — basically, it’s my most important tool for organization! 

[Paper Doll Editor’s Note: Brass Ring Daily often has delightful cameos by baby animals.]

WORDS AND MUSIC: KARA’S NAME UP IN LIGHTS

You’re also a musical theater lyricist and librettist, and from your newsletter, I know you’ve worked on a wide variety of projects as part of the BMI Musical Theatre Advanced Workshop and the BMI Librettists Workshop. Can you tell readers about Letters from May and The Marvelous Mrs. Maisel Musical?

The Kara of 2008 would think it is completely wild that the Kara of 2023 writes musicals. I got into the BMI Workshop, which has been around since 1961; the workshop self-describes as “the setting where the writers of A Chorus Line, Little Shop of Horrors, Nine, Ragtime, Avenue Q, Next To Normal, and The Book of Mormon, among many others, learned their craft.”

For the first two years, lyricists and composers attend a two-hour weekly workshop and present songs they’ve written and get feedback from the room. I only cried like five times. Learning something new is hard. Being a beginner is hard. Thankfully, now I cry much less often.

Lyricists and composers attend a two-hour weekly workshop, present songs they've written, and get feedback. I only cried like five times. *Learning something new is hard. Being a beginner is hard.* ~ @karacut Share on X

Letters From May is a 10-minute musical written with composer Kristoffer Bjarke as our first-year project. It tracks the life of an artist, May Dalton, over 50 years as she wrestles with questions of fame and sacrifice. Last year, it was produced at a festival in New York, which was a joyful experience after the pandemic knocked the wind out of the sails of many musical theater writers (myself included).

During year two of the workshop, composer Ron Passaro and I adapted [the Amazon Prime TV show] The Marvelous Mrs. Maisel into a musical, which was another great joy. 

Musicalizing such strong and vivid characters was a fun challenge — and of course, Julie, you know I love Amy Sherman-Palladino’s writing more than anything. [Paper Doll Editor’s Note: Sherman-Palladino created Gilmore Girls, Maisel, and the under-appreciated Bunheads, which starred Broadway’s beloved Sutton Foster. It’s streaming on Hulu. Thank me later.]

Right now, Kristoffer and I are developing Marathon, which is an original one-act musical which takes place entirely during a race. It’s about patience, persistence, and finding the capacity within yourself to do hard things. 

THE TURNING POINT: MOTIVATION & GETTING PUBLISHED

I usually ask interviewees, “What would you say was the turning point that helped you identify your true calling and fine-tune what you do professionally?” But you seem to be what folks have been calling a multipotentialite. Have you HAD a turning point, or are you still discovering many different true callings, all around your love of words?

LOL. I usually feel like I have no idea what I’m doing and also like I’m just getting started. The last 15 years have felt like a prolonged learning process — a stage I named “percolation” in Do It Today. Culture editing informed my freelance writing; editing influenced my lyric writing; and on and on. I want to do a lot of things and am always worried about not finishing enough or over-thinking what I’m making. 

One kind of guiding light over the past 15 years was following random flickers of interest. What sounds interesting? Where do I want to go? What do I want to learn? I’ve never regretted going toward those new endeavors.

Writing is obviously a passion for you. Your first book was Do It For Yourself: A Motivational Journal, beloved by readers and reviewers for the combined uplifting wisdom and snazzy design. For people struggling, procrastinating on doing the big things that would make their hearts sing, you offer exercises to change mindset, overcome obstacles, and pursue follow-through.

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How did you come to publish it? Can you tell us about that writing experience? What did writing that book change in your life?

Do It For Yourself actually came from writing my newsletter! Madeline, an editor at Abrams, read my newsletter and reached out — the publisher wanted to release a motivational journal and she said she liked my writing style and point-of-view. At the time, I was working as a consultant at Money Magazine covering personal finance and careers, and I had also just gotten into the BMI Workshop.

But I’m a big believer that you can do almost anything if there’s a clear goal and end date. Your life organizes itself around these important pillars. So I wrote the journal in a few months, then it was published, oh, 18 months later! (Book publishing exists on its own timeline.)


Seeing people connect with the journal and hearing how it improved their own practices and projects has been incredibly rewarding. It was also nice to create something tangible and concrete, and beautiful enough that people want to display it on their nightstands (or their TikToks).

This past fall, you published Do It Today: An Encouragement Journal, the second in your “Start Before You’re Ready series. I reviewed and profiled it in-depth last month in Paper Doll Presents 4 Stellar Organizing & Productivity Resources. It is freakin’ superb!

Can you tell us how this book came together? With its accent on motivation and productivity, I have to ask, did you write this for yourself? Do you follow the advice and follow the journal prompts yourself?

Do It For Yourself kind of took off — it’s currently in its ninth printing! — and my editor and I started talking about a possible follow-up. I asked myself, what might people need right now? And the answer was obvious: encouragement. Encouragement to try new things, pick up old projects, bounce back from rejection, and expand their web of connections.

So this journal features short essays and prompts along those lines — and yes, I wrote this entirely for myself because I needed all this encouragement, too. If you don’t connect with the work you’re putting out there, it’s unlikely it will resonate with other people. You have to believe it! I need constant reminders about all of these things and often turn back to the journal, hoping a prompt will thaw some frozen part of my brain or create a new idea. And it does.

You’re not a coach, but your books play a cheerleading, guiding role in helping your readers create and achieve. Aside from what you write in your newsletter, do you test your advice out on your friends and fellow creators? 

I’m lucky enough to have many brilliant friends and collaborators and we bounce ideas around all the time. From “can you read this email and let me know if it sounds OK” to “could you edit this draft” or “do you want to set a mutual deadline by Friday to accomplish that nagging task?” So all of this “advice” is actually a distillation of what I’ve witnessed and experienced around other people.

The writing experience is different for every author. In the lingo of NaNoWriMo, there are “plotters” (writers who outline) and “pantsers” (those who write by the seat of their pants). What are you? What’s your writing routine like? 

I do not like outlines. Let me rephrase that: I HATE OUTLINES. But I have convinced myself to try to outline – or reframe what an outline is in order to make it less painful. For my last two journals, I wrote a loose structure, basically a paragraph of what I wanted to cover in each chapter. I’m working on a new screenplay right now, and forced myself to write a bullet point list of scenes I wanted to include. Technically that’s an outline, but my brain still resists that word. Figuring out what I want to say usually comes from the writing itself. 

My routine is all over the place. Some days I’ll write nothing, other days I’ll write 10 pages! If a deadline is involved, I’ll get it done — it’s the old journalism training, knowing that the story had to be finished by a certain time or the page in the magazine would be left blank. You gotta get it done.

HOW WE ARE DOING IT TODAY

As I wrote in my review of Do It Today, my favorite part of the book was the section on “percolation,” or letting yourself have an idea on the back burner without having to constantly “produce,” non-stop, and noted that it reflected a lot of what I’d been writing about combating toxic productivity.

If you had to pick one journaling exercise/section from the book that you wish everyone would try, which would it be? 

Oooh, I love writing thank you notes to rejections! Failures and rejections are a part of life. But I try to remember that you get to choose how you respond. Rejection often stings, but I’ve found writing and sending off a thank you to whatever opportunity turned me down frees up a lot of mental space and allows me to move forward.

Writing and sending off a thank you to whatever opportunity turned me down frees up a lot of mental space and allows me to move forward. ~ @karacut Share on X

So if you didn’t get that residency/client/gig/opportunity, try not to simmer in the angst for too long. Consider why you were so drawn to it in the first place and use it as an arrow to move forward. Write a little thank you and get ready to start the next big thing.

What have readers been telling you is their favorite exercise/section?

Chapter two is called Start Before You’re Ready, and that idea seems to resonate with readers. Asking yourself, “What is the next smallest step I can take?” and then “How long will it actually take to complete?” changes your perspective. You’re getting honest!

So instead of saying “I need to reorganize my entire office,” I might ask myself, “Which area is giving me the most angst right now?” and “How long will it actually take to go through it?” The same idea holds true for our work and creative projects. Get honest with yourself about time estimates; it’s much less intimidating than a scary, open-ended task.

Last summer, as part of the launch of the Do It Today journal, you started the Do It Today podcast, where you interview people about how they are spending their days while they’re deep into creation mode or working on solving a problem. As you’re gearing up for season two, will you describe what this podcast experience meant to you? 

For most of last year, I felt like I was floundering. Truly. When you’re in charge of structuring your days, the freedom is nice but also overwhelming.

I wanted to know: How do other people do it? What does another person’s day look like? How do they overcome obstacles? How do they do their best work? So I impulsively started a podcast, mostly as an excuse to ask people I admire slightly invasive questions about their work and creative processes. Our conversations were incredibly encouraging, and I can happily say this year I’m in a much better daily groove, thanks in part to hearing about other people’s strategies. 

I’m gearing up to release next season, featuring a wonderful interview with you Julie, and also a Broadway producer, a personal finance expert, an author and keynote speaker, and an A-list screenwriter. There are so many common threads and themes between how people work — it’s extraordinary to see.

THE CURTAIN CALL

What else should Paper Doll readers know about you, your life, your take on motivation, creativity, and musical theater? What’s on the highlight reel of your life these days?

It’s never too late to try something new!!! That deserves three exclamation points.

I’m surrounded by people making big career pivots, adopting new skills, moving around the world, and also doing the less glamorous and equally hard work of showing up for their most meaningful work day after day. You can do it, too. I’m cheering you on! (That might be my most-used slogan.) 

My highlight reel right now consists of seeing lots of theater with my husband Colin (we just got married in December!) and taking winter naps with our rescue cat, Lula. And leaning into work and activities I actually enjoy. Everything else either gets paused or cleaned out. Life’s too short.

Before we wrap things up, tell us what’s next for Kara Cutruzzula, multipotentialite and musical maven?

My third book, Do It (or Don’t): A Boundary-Creating Journal is coming out September 12, 2023 and is now available for pre-order! Get ready to do a deep dive into setting boundaries for your projects, creativity, and relationships. (This is an area I wanted to work on myself, so figured we could all work on it together!)

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This year I’m developing the musical and also turning back to screenwriting and playwriting, and have some big goals attached to those mediums. I’m also having fun connecting with people through my newsletter.

Most of all, I’m embracing empty space. It’s kind of like leaving one drawer in the closet completely free, and not believing you have to fill it up right now. I’m leaving a little space in my calendar for what is going to light me up in the future — whether that’s tomorrow or two months from now.

And that is music to a professional organizer’s ears.

Posted on: August 15th, 2022 by Julie Bestry | 11 Comments

Today’s Paper Doll post is part confessional, part promotional, and part educational. But first…

Have you listened to any good podcasts lately?

I love sharing my research and philosophies of organizing and productivity here in the Paper Doll blog, but I know that sometimes it’s more convenient to listen to (or watch) material that interests you. To that end, back in May, I shared Paper Doll Picks: Organizing and Productivity Podcasts, a list of my favorite podcasts and podcasters in the realms of organizing and productivity. (If you didn’t check it out previously, now is a great time to find some new favorites!)

When I wrote Paper Doll on Planning & Prioritizing for Leadership, I even gave you a two-for-one, recommending you sign up for The Leader’s Asset, a July/August interview series I participated in, as well as sharing my interview on Dr. Frank Buck: Productivity for Total Control & Peace of Mind.

If you didn’t catch my episode, “Julie Bestry: Don’t Apologize…Organize!” the first time around, you can listen at the show link or via Apple Podcasts, Spotify, or all your usual yummy podcast hangouts. (Consider it a summer rerun.) Given the high temperatures around the country, why should you have to struggle and run clicking around the internet dial? Here’s the YouTube version. 

Casting a Backward Glance

I started my business twenty years ago, the year that the federal government started prosecuting Enron, the term “Axis of Evil” was coined, and Kelly Clarkson won the first American Idol competition. I joined what was then the National Association of Professional Organizers (NAPO) in the spring of 2002.

When asked what I wanted to do with my business, I said that while I was looking forward to working one-on-one with clients to make their spaces more organized and their lives more productive, my dream project was to have my own newspaper or magazine column. 

I started blogging (which is kind of like having a column) in 2007, the same year I became a Certified Professional Organizer

Over the years, I’ve written some ebooks and had a book (now out of distribution) traditionally published.

I have also been interviewed for a variety of media outlets , including newspapers and magazines (including, I’m always delighted to say, Real Simple), as well as on local television and radio, and on the podcasts in the Paper Doll Picks poast, linked above.

But what I really want to tell you about is a particular career highlight for me.

The NAPO Stand Out Podcast (and a Case of Nerves)

NAPO is still NAPO, but now that stands for the National Association of Productivity and Organizing Professionals. (As you’ve probably noticed, the focus of Paper Doll has also expanded to include more time management and productivity topics, along with paper and information organizing posts.) Since 2018, NAPO has had its own podcast, The NAPO Stand Out Podcast

The NAPO Stand Out podcast invites organizers, productivity experts, and related experts to share their successes, challenges, best practices, proven strategies, industry developments, and fabulous anecdotes. Of course I listen, as it’s tailor-made for someone like me. 

Near the end of last year, the host of the NAPO Stand Out Podcast, my friend Clare Kumar, messaged me to see if I’d like to be on the NAPO podcast.

Clare is a Canadian professional organizer, coach, and media darling, and as I’ve mentioned on these pages before, has a laugh that completely draws you in. She specializes in helping Highly Sensitive Persons (HSPs) optimize their professional performance, and she has her own podcast, Happy Space with Clare Kumar, all about helping HSPs find their own happy spaces. Clare is a force of nature.

Now, as you longtime readers know, I’m not exactly a shrinking violet. I’m always eager to talk (until the cows come home) about residential or business organizing, time management, Evernote, and everything else from notebooks to toxic productivity.

But the NAPO Stand Out Podcast was a different kettle of fish. One of its main audiences includes thousands of my professional organizing colleagues. This wasn’t a matter of talking to strangers who follow other people’s podcasts; this would be heard and seen by my peeps, including the professional organizing rock stars to whom I’ve looked up since I started my business.

The first-ever guest was Geralin Thomas, who is as fashionable as she is business-savvy, and has pivoted to training the next generation of organizing stars. The guest the week before I was set to appear was Harold Taylor, an absolute pioneer of time management and author of numerous books, including the seminal Making Time Work for You

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and a time management blog that never ceases to deliver. (You might like The Return of the Checklist.)

From Geralin’s podcast episode #1 and Harold’s #102, the NAPO Stand Out Podcast interviewed powerhouse talents, from former NAPO president and absolute goddess Standolyn Robertson to author/TV star Peter Walsh to multimedia “happiness” guru and best-selling author Gretchen Rubin

I mean, come on!

I have no trouble getting up to give a presentation in front of a room full of moms of preschoolers or accountants or CEOs because, as speaker training indoctrinates us, in that situation, the speaker is the expert. But a huge number of NAPO Stand Out Podcast listeners are professional organizers; they’re already experts.

“What could I possibly say that would be new or interesting to them?” I whined to my mastermind group. They were amused and not-at-all persuaded by my rare show of humility, and convinced me to have a Zoom call with Clare, who could sell galoshes to desert-dwellers.

Within moments of making delightful conversation, Clare was able to identify some very specific areas in the paper realm about which I feel passionate, and “organized” my anxieties right out of existence. (“Why paper still matters?” Just try to keep me from talking about that!) And then when I procrastinated week after week about actually scheduling the official interview, Clare appeared as if by magic to take the bull (or at least my bull-headedness) by the horns.

And this is the result. You can watch the whole, extended podcast here, via YouTube.

If you’d rather listen while walking (and don’t mind missing the secret squirrel video bonus material), check out the official NAPO Stand Out Podcast page for episode #103 for Why Paper Still Matters with Julie Bestry or the Why Paper Still Matters LibSyn podcast syndication page (with extended show note and links for literally every darned thing I mentioned). Of course, the episode is also available on various podcast platforms, including: 

Over the course of the episode, Clare and I discussed how our relationship to paper has changed in recent decades, especially since the advent of smartphones. (We were promised a paper-free office after the advent of the computer revolution, but it didn’t really turn out as we expected!) 

We also delved into the importance of finding a system that works for you, whether that’s digital, paper, or hybrid, and how different areas of our lives, from note-notetaking to capturing tasks, benefit from different approaches. I even got to put in a plug for my beloved Cornell note-taking method, which will be a topic of an upcoming blog post for the back-to-school season.

No matter whether you agree or disagree with my take on the beauty of an invitation addressed with calligraphy — I find it superior to an emailed save-the-date reminder — I think you’ll enjoy our hearty discussion of how and why paper still matters in many ways, from paper’s role in cognitive processes to its place in our hearts.

I hope you will take some time this week to watch or listen to the podcast and let me know what you think. Does paper still matter to you?